"Builders," the 2012 Canadian Biennial.
I am really glad that this biennial initiative of the National Gallery's exists, and I'm glad it was introduced in 2010 following an, oh, 20-year absence of such activity from the NGC and basically elsewhere. Like the gallery, I believe it is a valuable thing to try and provide the public with a picture of where contemporary Canadian art is at every two years.
Granted, the NGC's biennial is a bit funny in that it is based in acquisitions made over the past two years rather than works actually made in the past two years. This tends to muddle/reduce its currency somewhat.
In a review written quickly for Canadian Art's website, I attempted to reflect on these and other issues that the 2012 biennial brought up for me.
You can read the review on Canadian Art's site.
I do look forward to reading other reviews of the exhibition and hearing other commentary as well... though there's still no Rotten Tomatoes for the art world, I feel I sure could use it around exhibitions like this!
(Image of Jim Breukelman's Hot Properties 01 1987/2008 Courtesy of the NGC)